I haven’t written in a long time – lots and lots of work. Still, I do read, even if swamped with work, so my list of books to be reviewed slowly grows. I completed my read of The Twelve when I was still commuting weekly to Warsaw and had a lot of time to read, and it was a good thing, because otherwise I wouldn’t have finished this book.
But let’s start from the beginning. The Twelve is the second installment in an already finished post-apocalyptic trilogy by Justin Cronin. The review for the first installment, The Passage, can be found here. I enjoyed The Passage quite a bit, enough to jump to the second book as soon as I finished the first. I liked the protagonists of the first novel: mostly Amy and Wolgast, but I was ok also with the latecomers – Peter and Alice, Sarah and Mike, and the rest of the supporting crew.
The second installment shows us a world in a momentary stasis – the first of the Twelve, Babcock, is dead, but the rest of the monstrous serial killer death row inmates is still free to roam the realm of the erstwhile U.S. Worse, the human survivors are not enticed to believe Peter and the rest of his crew that there are other “nodes”, the remaining zero-patients, who are able to control to bloodsucking monstrosities called virals. From the humanity’s point of view getting rid of them would mean much better chance of survival – but humanity has a tendency to look rather to the next day than to the next year, and so the problems of plumbing, food and electricity shortages, and fuel transportation will always be pushed to the fore.
It seems that I have a weakness for post-apocalyptic, anti-utopian stuff with young female leads ;). The Passage reminds me in many ways of The Girl With All The Gifts or McCarthy’s The Road, although the popular comparisons to The Stand are also pretty well-founded.
The Passage received a lot of buzz back in 2010 – compared to work of Michael Crichton and praised by King himself, Cronin’s book quickly wound up on bestsellers’ lists. The filming rights to this book – and two next as well, as The Passage is the first installment in a trilogy – were apparently secured by Scott Free Productions even before the book was finished.
Is the book worth the praise? The answer to this, as usual, is complicated ;). I must confess, my initial enthusiasm was somewhat dampened by the fact that I have already read the second installment. Oh boy, that’s something I will fully review in my next entry, but for now let’s concentrate on the first book, as if it were still the only one, fresh and full of promises.
Because The Passage in itself is actually a good book. It’s a mash-up of genres, a post-apocalyptic horror/sf road novel with vampires, elements of anti-utopia and chunks of a military thriller, and it all works surprisingly well, even dunked in the heavy philosophical/theological sauce Cronin is so fond of.
Assassin’s Fate is the final installment in the acclaimed Fitz and Fool Trilogy, and the grand finale for all three trilogies about the two protagonists: The Farseer Trilogy, The Tawny Man Trilogy and, indeed, The Fitz and Fool Trilogy. But more than that, it is quite possibly the crowning achievement and the ultimate conclusion to all Hobb’s writing pertaining to the world of Elderling Realms: Six, sorry, Seven Duchies, Rain Wilds, Kelsingra and beyond. Let’s stop here for a moment and count those: four trilogies – because there’s also Liveship Trilogy – and one tetralogy about Rainwilds, newly hatched dragons and their keepers. Altogether sixteen books, each easily over 500 pages long. A solid piece of one’s life spent on reading – let alone writing! It’s not surprising, then, that Fitz and Fool and Nighteyes had become important persons in my life 😉 and that I was heavily invested in reading the end of their story.
And, before I say anything else, I must say that it is a worthy conclusion. As always, it’s heart-breaking, riveting, harrowing and rewarding, enthralling, cathartic, horrible and beautiful in equal measures, tragic and poetic and sad – and yet, still immensely satisfying and incredibly powerful.
Long time, no see – vacation time is not inductive to writing, but gives lots of opportunities to read, even in the middle of an Internet-less wilderness :). I usually leave the thickest books for my vacation time, as only then I might be sure of reading them in full, and in reasonable time. For the summertime I also leave those books which I wouldn’t have read any other time – vacation makes me more bullshit-tolerant 😉
And that’s why one of my summer readings this year was the final installment in Bakker’s acclaimed trilogy The Prince of Nothing. I know, I have said before I won’t be reading The Thousandfold Thought anytime soon, too irritated with previous installments to care; while The Darkness That Comes Before was still readable, The Warrior Prophet was just awful. But I like to finish things, and that gutted carcass left on my metaphorical porch, to use the imagery borrowed from Bakker, begged to be cleaned up and buried for good.
The Found and the Lost is a collection of novellas by Ursula Le Guin, the founding mother of fantasy and SF as we know today. It’s a perfect book for both die-hard fans and for those who have never had the pleasure of reading anything by Le Guin before. A doorstop of a book at 600 pages in my digital copy and 816 pages in hardcover, it contains 13 novellas written in the period between 1971 (Vaster Than Empires and More Slow) to 2002 (Paradises Lost). The collection is presented mostly in a chronological order, but another categorization rule readily comes to mind while reading as the novellas can be divided into three main groups: Earthsea, Hainish cycle and “other”.
A sequel of sorts to the critically acclaimed Powder Mage trilogy, Sins of Empire takes us ten years forward and half a world away from Adro, to the newly created country and nation of Fatrasta. When Taniel Two-Shot more than a decade ago helped the Fatrastans win their independence from the Kez, he fought alongside Old-World Kressians and aboriginal Palos. But now, as the nation of Fatrasta has become increasingly rich and influential, its leaders and Kressian elites have started to mercilessly exploit the weaknesses of Palo. The internal inequalities and segregation policies introduced by Kressians pushed the mutual distrust between the former colonialists from all over the Nine and the aboriginal tribes of Palos toward political unrest and a bloody civil war. And when the empire of Dynize, remaining in self-imposed isolationism for the last four hundred years, comes knocking with a big-ass fleet of war ships and an army bloodied earlier in a cruel civil war, things get even more dire pretty soon.
Magic Binds is the ninth installment in the highly acclaimed urban fantasy series by the writing duo, Ilona and Gordon Andrews. Having reached the status of bestsellers and the rare honor of hard cover over the span of an almost decade of writing, Kate Daniels series is widely recognized as one of the best urban fantasy series in the market. I have written about the series here. After several pretty decent novels there came a serious dip in the form of Magic Shifts, then a couple of novellas about side characters from Kate Daniels’ world, and an entirely new urban fantasy/romance series before finally the ninth book saw the light of day.
Magic Binds garners enthusiastic reviews from critics and fans alike, showcasing all the strengths of the previous novels. The end of the 10-book story arc is near, and so the ninth book cannot but head toward some kind of a grand conclusion, upping the ante and preparing ground for the big climax. All the smoldering conflicts burst up in flames, all the grudges and favors are coming to the fore once more, and the knowledge of previous events is a must. It follows logically that the readers in general – and the people writing reviews specifically – have invested so much into the series already that their reception might be more than just a bit skewed.