Popular culture gives us many great samurai figures. There are probably almost as many live action samurai movies as westerns, and The Magnificent Seven Samurai duo of wonderful classics show us how close these genres could be.
But I want to introduce one of my favourite comic books, so no more about cinematic depictions (hmm, who would have won if guys on the left fired on the guys on the right :D?).
In a world of countless great mangas, my favourite graphic novel Japanese warrior is an anthropomorphic rabbit by Stan Sakai, who, though born in Kyoto, is undoubtedly an American artist. I’m not going to argue it’s the most accurate vision of the medieval Japan, from the stuff I’m familiar with the honour goes to Vagabond, probably, and Rurouni Kenshiin has some great moments – usually just before going for silliness and fanservice. And then there is Samurai Jack, a hero whose story recently concluded, after years of waiting.
But Miyamoto Usagi from Usagi Yojimbo, he is my favourite!
Quite recently I dedicated an unusually long post to a heated critique of some minor points of one of my favourite fantasy series ever. Apart from my conviction that one of the characters is overpowered and unnecessary, I concluded: arguably some obscure details of how war develops are slightly distorted, giving the series 9,5/10.
That was before reading Seal of the Worm and now I have to admit – the final instalment made me sad. So – the whole series keeps the “well done” tag, “medium” applies to the Seal of the Worm.
Spoilers ahead, even more than in the previous post.
Spoiler alert! Unless you’ve read till the end of book 8, don’t go further 😉
Adrian Tchaikovsky is one of our favourite modern genre authors. There are several proper reviews and many favourable mentions here. I’ve just finished volume 8 in his 10 book long Shadows of the Apt series, I’ve read Spiderlands, and a few doorstopers patiently wait on my shelves for the right time. I trust this author, and I don’t feel the need to read everything at once. I know I won’t be disappointed, so I can wait. Although, if he keeps publishing two books a year, I might speed it up a bit, there seems to be quite a few stories left in him.
Shadows of the Apt are becoming one of my all-time favourite series, and two final instalments would have to be really terrible to change that. I essentially agree with everything Ola wrote in her review, but I would like to share a few thoughts about one topic, something important for genre literature in general, and here presented with art and vision, in my opinion, unparalleled. Czajkowski makes the clash of magic and technology one of the central issues here.
I’ve recently listened to Elantris, Brandon Sanderson‘s ticket to fame and money, and one of the biggest stand-alones in XXI century genre literature.
Oh boy wasn’t it boring…
This was my first novel by Sanderson. I’ve read a couple of short stories, some reviews, and talked about him with a few friends whose opinions varied from “rather good” to “meh”. It created in my mind a picture of someone who is a solid, if not particularly gifted, craftsman (with unbelievable output, his doorstoppers hit bookshops with astonishing regularity).
Oh, there were final Wheel of Time books that he wrote, no matter how much I try to forget the whole WoT disaster, I have to mention them. Sanderson’s bits were better written and structured than Jordan’s, but no less tedious.
After Elantris… well, actually it confirmed my view of Sanderson as an uninspired craftsman, but I perhaps overestimated my own endurance. There are many flawed books that have something in them that keeps me interested. Some brilliant ideas, amateurishly executed, great protagonist, rising above mediocre prose… Sanderson does not make big mistakes, but neither does he take any risks. And produces fantasy without qualities.
Too harsh. But let me defend that opinion before I admit there were some good parts.
The Windup Girl, Paolo Bacigalupi debut novel from 2009 was popular, smart and powerful, but didn’t excite me. I found it a bit grotesque and too full of political anger. And I did not like the ending (that I’m not going to spoil here).
Novel about a world of the future, plagued by environmental collapse, food scarcity and energy shortage, with disastrous consequences for societies, reaching even greater levels of corruption, racism and violence. Sounds like fun, doesn’t it? But I couldn’t really care about – or identify with – any of the characters, I was not wholly convinced by the worldbuilding, and aforementioned ending… still, it was a powerful image, and I respected author’s passion, so I awarded it three stars on Goodreads 😉
The Water Knife has the same passion, but better characters, more thought-through plot, and after the recent leftward shift in my political views – is very emotionally satisfying. Reading about the collapse of America, and with the red states hit the most, due to global warming, just after Trump decided to withdraw from Paris Agreement – priceless.
I believe this is a great year for superhero movies. Each of the great studio delivered. We got best X-Men movie ever in Logan, we got near-perfect Guardians of the Galaxy Vol. 2, and now there is the first good DC movie since Nolan’s Batman trilogy.
I’ve never been a fan of comic book Wonder Woman, but it wasn’t a strong dislike, I just couldn’t bring myself to treat someone in such a silly outfit seriously… and this simplified approach to Greek mythology was somehow more difficult to stomach than Marvel’s Asgard.
In the disastrous Batman vs Superman, Gal Gadot’s character was one of few good things. Seeing all the stellar reviews I decided to give it a chance. I was not disappointed.
I mean Beren and Lúthien, of course, the latest – and last – of J.R.R. Tolkien’s works edited and published by his son Christopher.
I love Alan Lee’s vision of Middle Earth 🙂