The Warrior Prophet is the second installment in Bakker’s well-known trilogy Prince of Nothing. The first book, The Darkness That Comes Before, brought about an intriguing world, closely mirroring early medieval Europe, particularly the First Crusade, but also imbued with many-flavored, dangerous magic as well as with a secret knowledge of a past Apocalypse.
The first installment, despite its numerous flaws detailed in my earlier review, had been promising enough to lure me into reading the second book. The first book in any trilogy is an opening. A statement, a brag, an invitation. It shouts loudly and clearly the intentions and ambitions of an author, but it is also, maybe even mainly, a promise. A promise of what will come after – after the game is set, the figures introduced and prepared for action, and the beginnings of all the plot strands are woven. It’s also a promise of getting ever better. The second book should fulfill that promise, leaving the readers yearning for more, waiting for a satisfying, all-encompassing conclusion of part three (at least in case of trilogy). Does The Warrior Prophet deliver on that promise?
I’m back from vacation, at least for a few days ;). And thus I can give you the first review from my summer readings :).
The first installment in the famous grimdark sequence The Prince of Nothing, The Darkness That Comes Before, is as long and convoluted as its title. An almost 650 pages long, heavy piece of literary work (both literally and figuratively), Bakker’s debut had been a resounding one as well.
A time of Second Apocalypse is nigh… Sounds captivating, doesn’t it? It means that the First Apocalypse had already happened, that it wasn’t as all-encompassing as to kill everyone, and that survivors managed to carry the knowledge of that terrible event through the centuries to come. Unfortunately those in the know are few and far between, and do not enjoy any kind of esteem from their contemporaries. So it doesn’t come as a big surprise that they somehow failed to share their knowledge with others, and in the consequence, the majority of the humanity is heading blindly and meekly, like lambs, to their slaughter.
Ola: It’s been a while since Abercrombie wrote his first grim dark trilogy – and yet it still reads like something new. Why? Abercrombie did something seemingly unusual: he took most of the major tropes of epic fantasy and put them on their heads. He infused his books with a such an overwhelming dose of cynicism, bleakness and grimness that was rarely seen before.