Tor.com has its Space Opera Week now, and it’s going to add quite a few items to my To-Be-Read pile, especially since Space Operas tend to be multi-volume endeavours. It renewed my interest in the Vorkosigan Saga by Lois McMaster Bujold, one of THE great genre series that are still waiting for me, and put The Uplift by David Brin on my radar, and also reminded me that I have first two omnibuses of Saga waiting on my shelves (I wanted to wait till it’s all finished, but it’s very tempting to start right now…).
My decision to start David Drake’s Republic of Cinnabar Navy series had nothing to do with it, volume one was what I got for my monthly Audible credit this April, volume two I listen to right now, and I believe it to be an excellent example of this particular subgenre, with all its vices and virtues.
Also, a rare example of American covers being superior, the oldschool ones are original Baen, the shitty ones – relatively recent Titan version. Luckily, Audible.co.uk chose Baen for audiobooks.
Tad Williams is a writer I’ve mentioned here a few times, and I reviewed his breakthrough trilogy, Memory, Sorrow, and Thorn. It got three posts altogether, so it’s clear I liked it. Having been published between 1988 and 1993, it’s one of the links between earlier post-tolkienian fantasy represented by authors like Brooks and modern, grimmer epics from Martin to Abercrombie. George R.R. claimed Williams had been an influence on The Song of Ice and Fire and it is quite possible, because despite Memory… predates Game of Thrones by eight years. So, the blurb you’ll see in a moment on the cover is not as annoying as many other of dozens upon dozens of GRRM’s stamps of approval.
It’s not the most sophisticated of fantasy series and lacks some of the shades of grey so important to books fashionable today, I admit, but it’s a well written story happening in a rich world. I particularly liked the important role given (closely based on Earthly examples) religion, something astonishingly rare in a genre where miracles actually do happen… and the elves, unusually alien and complicated. And the protagonist were likeable, and actually good people… does not happen that often now.
I should start with the old and worn saying: “never say never”. For despite my scalding review of the second installment, Golden Son, and doubts the size of Godzilla I did reach for the conclusion to the Red Rising trilogy. Availability is key, you might say, especially on long train trips 😉 Aaand a promise of mindless entertainment 😉
I’m therefore pleased to say Morning Star is better than Golden Son. As the trilogy’s finale, it has all the advantages of tying up every unfinished thread, and bringing logical and emotionally satisfying conclusion to the story, in the hopes of becoming the crowning achievement of the author.
Red Rising trilogy, just like an old-fashioned computer game, lines the problems up from the easiest – the Institute in Red Rising – to the most difficult – i.e. the whole solar system in Morning Star. The villainous bosses are also gaining weight and powers as the books flash by, and this time the main villain is the Big Bad herself, the autocratic ruler of the solar system, Olivia au Lune, and her sinister right hand, Aja. Not to mention the Jackal, the scourge of Mars, the evil twin of Mustang and the terrible alter ego to Darrow. A double Mr Hyde for the price of one! :).
Connie Willis, one of the most critically acclaimed SF writers of our times, the winner of 11 Hugo Awards and 7 Nebula Awards, the 28th SFWA Grand Master… The list goes on and on. We’ve reviewed some of her works before on Re-enchantment – Blackout/All Clear and Passage; we’ve read many more – and here a really big shout goes to To Say Nothing Of The Dog, which to this day remains my favorite Connie Willis novel.
So, Crosstalk; the newest Willis’ novel, in her own words, is:
about telepathy–and our overly communicating world. It’s also about helicopter mothers, social media, Joan of Arc, sugared cereals, Bridey Murphy, online dating, zombie movies, Victorian novels, and those annoying songs you get stuck in your head and can’t get rid of!
(More of Willis’ thoughts on Crosstalk here.)
It sounded like fun – and besides, Willis always writes greatly enjoyable novels – at least from my limited experience :). Telepathy and Irish, a touch of Powers’ penchant for conspiracy theories, contemporary covens and a bit of light-hearted satire on our over-social-medialized world… If every ingredient is tasty, then, logically, the dish you prepare from them should be tasty too, right? Not.
It’s a yearly event now, the coming out of a new book in Briggs’ Mercy Thompson series. Each March a new installment hits the shelves, and I am fairly sure , after reading the tenth book, that it won’t end too soon. Assigning only the ulterior, financial motivation to the author would be unfair. I’m absolutely sure that it would be incredibly difficult to part with characters as likeable, vibrant and alive as hers. There’s always another story to be told, another angle to explore… And yet, and yet, maybe it’s time to say goodbye.
Ten books is no mean thing. These are not doorstops in style of Czajkowski or Erikson, or let alone Martin who publishes each new installment of Game of Thrones in two parts, because otherwise the binding wouldn’t hold… These are urban fantasy books, three hundred odd pages long and no more. Still, ten books about essentially one character is a lot. And if you don’t have an overarching plot, spanning more than a couple of books, unfolding slowly in the background of the main action – like in Dresden books, to keep the example from the UF field – pretty soon you may find yourself without anything important to say.
Those who became acquainted with the Malazan universe know very well that this world had been originally created by two authors: Steven Erikson and Ian C. Esslemont. It is no coincidence, though, that Esslemont’s name hadn’t appeared on this blog before (except as a necessary mention in this entry…) I fully stand by my words – Esslemont is no Erikson. And it seems to me that he never will be.
Erikson and Esslemont divided between the two of them the enormous cast of characters populating the world of Malazan. Until that division was kept, I was fine with it. Keep the Crimson Guard, ICE – K’azz d’Avore is boring, and I couldn’t care less for the rest of them. I suspect this indifference is too an effect of Esslemont’s writing for the Crimson Guard in itself seems a very fine concept, it’s its execution that is irrevocably flawed. But Esslemont in his share of 10 books grabbed some characters that he should have not reached for – Anomandaris Rake is just the most glaringly obvious example. I still shudder when I remember Assail…
So why on Earth did I reach for another ICE’s book? I should have known better. I’ve read Orb Sceptre Throne (simply terrible), Blood and Bone (interesting worldbuilding, clearly Esslemont’s read Conrad’s The Heart of Darkness or at least has seen Apocalypse Now! ;), but not much else) and Assail (words fail me with this one, I guess that’s the main reason why I didn’t write a review of this book at all), and I promised myself I would not go there again. Why did I then?
Paul Cornell is a British author displaying his talent in many genres. I really liked his Dr Who episodes (not knowing he wrote them, I’m not paying enough attentions to tv and movie writers). Comics… he wrote many, among them several Wolverines, but nothing I’ve read. What I did read, are two volumes of his Shadow Police urban fantasy/horror series. I’ve bought audio version of the third one, with excellent title Who Killed Sherlock Holmes?, and before I get back to his alternative London I wanted to share a few thoughts.
What is Shadow Police? Lets check TVTropes:
Ongoing series of Urban Fantasy Police Procedural
And yes, it is. It’s urban fantasy and it takes better care of details of police work than your usual supernatural cop story.