I’ve recently listened to Elantris, Brandon Sanderson‘s ticket to fame and money, and one of the biggest stand-alones in XXI century genre literature.
Oh boy wasn’t it boring…
This was my first novel by Sanderson. I’ve read a couple of short stories, some reviews, and talked about him with a few friends whose opinions varied from “rather good” to “meh”. It created in my mind a picture of someone who is a solid, if not particularly gifted, craftsman (with unbelievable output, his doorstoppers hit bookshops with astonishing regularity).
Oh, there were final Wheel of Time books that he wrote, no matter how much I try to forget the whole WoT disaster, I have to mention them. Sanderson’s bits were better written and structured than Jordan’s, but no less tedious.
After Elantris… well, actually it confirmed my view of Sanderson as an uninspired craftsman, but I perhaps overestimated my own endurance. There are many flawed books that have something in them that keeps me interested. Some brilliant ideas, amateurishly executed, great protagonist, rising above mediocre prose… Sanderson does not make big mistakes, but neither does he take any risks. And produces fantasy without qualities.
Too harsh. But let me defend that opinion before I admit there were some good parts.
The first book set in the Mistborn world, Mistborn: The Final Empire was the second published work by Brandon Sanderson. Yeah, Sanderson, the guy that now tells us from the covers of various fantasy novels whether it’s worth reading them. The same guy who finally managed to finish the never-ending Jordan’s series The Wheel of Time. A very popular and influential author who now has his own creative writing school.
It should tell you something about Sanderson’s style, that when appointed to conclude Jordan’s series in one book, he wrote THREE instead.
I’ve read his Mistborn trilogy soon after the last installment was published. Sanderson hasn’t become such a head honcho in fantasy then – he still had yet to write the Wheel of Time novels, and the days of topping the bestseller lists and making Laws In Fantasy were still ahead of him. In short – it was a long time ago.
So why do I bring him up? For all the aforementioned reasons: he has become one of the most popular and influential fantasy writers, he’s close to becoming an institution, and he writes more and more novels. And last but not least – after reading the Mistborn trilogy I haven’t touched a single book written by Brandon Sanderson. And I’m not planning to.
Jak już pisałem, w swoich przygodach z nowszą i starszą klasyką fikcji gatunkowej trafiałem różnie, raz lepiej, innym razem – fatalnie. Koło Czasu (dalej – WoT, czyli „The Wheel of Time”)… było porażką.
Również graficzną, oryginalne okładki WoT (środkowy rząd) należą do najbrzydszych w historii gatunku, edycja brytyjska (góra), jak zazwyczaj, lepsza, ebooki (najniższe), znośne: